With the Austrian and slovenian borders within striking range, you ‘d believe the town of Udine would whisper Slavic and German. Aside from the multilingual street indications in Friulian and italian, and the much-loved regional schnitzel, the town is out-and-out Italian–– consisting of the Brutalist structures that stick out like Lego obstructs. It was here, in such a structure, that Milanese designer Cristina Celestino got to work, taking the (re) style reins for an home initially constructed by Massimo Camillo Bodini in the late 1970s.
” The customers were a middle-aged couple who resided in the Venetian countryside. They had actually fallen for Udine and in specific, with the structure,” shares Cristina.
Before its redesign, the apartment or condo would have been that pot-bellied uncle continuously out of breath. Put simply, it remained in sorry shape—– and it severely required a facelift. Hence twirled in Cristina, with her magic scheme and her style wand in tow. “The customer asked for a practical and stylish house with a well balanced usage of colour and product,” states the designer, who turned the apartment or condo’s skin completely.
In the living-room, she framed windows with bronzed aluminium, beautified stairwells with pink plaster, and secondhand Roman travertine to provide the split-level area a bright sense of seamlessness. “The lower part of the living-room includes a 40-centimetre-high plinth, and looks like a bath tub,” quips Cristina. In spite of her witticism, it isn’t most likely that you ‘d discover yourself believing of bubble baths in the living space. When you have such beautiful furnishings to look at, not. Cassina’s Antella table, Saba’s Gala couch, a powder-coated sheet-metal table by Attico Design, and Frisée chairs custom-made by Cristina for Billiani offer the contemporary setup a swish 70s edge. “The interior doors are originals. I discovered their style extremely fascinating,” she states, gesturing to the burgundy-lacquered door panels by Azucena, with brass deals with by Caccia Dominioni.
The raised dining location is partly protected by a custom-made planter, while panelled drapes evaluate the full-height balcony doors. The pink walls are animated by Matete Martini canvases that fan the house’s whimsical side. “I chose to keep the initial layout since it is modern and really practical,” states Cristina. The location’s eye appeal is stabilized by practical interventions. A brick-coloured partition stands in between the dining location and the entryway, while doubling as a practical kitchen and storage area.
From the living-room, a porthole-fitted door blazes a trail into the cooking area, matching a bull’s eye door prior to a banquet on a cruise liner. “The cabinets were custom-made,” declares Cristina, of the two-toned floor-to-ceiling systems. The dual-tone comes back in the hardware: The taps, plinth and deals with are black, while the hob, sink and bottom show the tones of the travertine. Mentioning 2s, the dining location next door is a reward for the eyes and the stomach. A Tric chair by Achille and Pier Giacomo Castiglioni amp up the glam ratio while a Marcuso table by Zanotta and a Plissè ceiling light created by Achille Castiglioni for Flos lighten up the location, actually and figuratively.
The travertine meanders into the other spaces like a lazy river. In the bedroom, the wall behind the headboard remains in the exact same brick tone as the practical block in the living-room. “I developed a really basic wall light with black metal discs, based upon a style by Esperia,” states Cristina. The bed, a metal-and-brass piece created by Caccia Dominioni for Azucena, cuts an easy-breezy figure, prompting the eyes to the real star of the program—– the travertine beneath.
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